Flickerspace

You begin to see identifiable scenes. They have the familiar feel of occurring on the surface of a planet — indoors, outdoors, under the sea, underground. The scenes may be quite small as though seen from an aerial perspective. This is the psychodynamic heartland of the voyage, where the brain begins presenting what most needs to be processed: themes from earlier life, emotionally charged material, often condensed and symbolically disguised as in nocturnal dreams. The observer perspective — seeing a figure of self in the filmstrip rather than participating in it — allows the brain to elaborate a great variety of versions of the self: young and old, strong and weak, light and dark, male and female, angelic and demonic, modern and ancient. Allowing each version to act out whatever it needs to without interference neutralizes emotional disturbance and brings insight.

The craft is now cruising through the inner solar system of the psyche. There is narrative here, and drama, and a recognisable self — a figure seen from an observer’s perspective, moving through settings, engaged in sequences of action.

Here be monsters and here be treasure !

During a trip the emotional networks of the deep brain, and all the monsters that live there, need to play themselves out at this interplanetary level before ascent into interstellar space is possible. The visions have the quality of filmstrips: condensed and concertinaed, as though long sequences of visual narrative have been compressed together, switching location, morphing figures, blending fantasy and memory. The physics of this region is the physics of the dream — not the logic of waking life but something more fluid, more associative, more symbolically charged.

Once sufficient autogenic neutralization of emotional disturbance has occurred the imagery gets brighter and themes of vertical ascent become prominent. Figures and objects may be seen to be levitating and floating skywards, or there are visions of climbing a soaring pillar, tree or mountain peak. There develops a recognisable sense of vastness, upward movement and increased luminosity signalling the shift from personal to transpersonal levels.

Visions of the numinosum, manifesting extraordinary structural hypercomplexity and multidimensionality, merge into the mystical luminosity of Bright Light Experiences. Characteristic of this luminosity is a perceived supreme salience. With regular practice of flicker jumps during ganzflicker meditation, figures and objects are perceived as progressively more luminous over the long term. Bright Light Experiences become increasingly frequent and prolonged as sufficient number of flicker jumps are carried out, attaining a beatific luminosity which supplants ego-based thought and feeling.

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